Showing posts with label Based on ancient literature. Show all posts
Showing posts with label Based on ancient literature. Show all posts

Thursday, February 19, 2009

ACK-071: Tales of Yudhishthira

ACK #174 (703)

Yudhisthira was also known as Bharata (Descendent of the line of Bharata), Ajatashatru (One Without Enemies), Dharmaraj. He always had good feelings in his heart even for his enemies.

Virtues like patience, stability, humbleness, tolerance, kindness and love were his strengths. Because of his courteous nature and good conduct, Yudhishthir was extremely popular in his childhood.

He was a master of the spear, and a maharatha, capable of combating 10,000 opponents at a time.

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YUDHISHTHIRA. The eldest of the five Pandu princes, mythologically the son of Dharma, the god of justice.

With the Hindus he is the favourite one of the five brothers, and is represented as a man of calm, passionless judgement, strict veracity, unswerving rectitude, and rigid justice. He was renowned as a ruler and director, but not as a warrior.

Educated at the court of his uncle, Dhritarashtra, he received from the family preceptor, Drona, a military training, and was taught the use of the spear. When the time came for naming the Yuvaraja or heir apparent to the realm of Hastinapura, the Maharaja Dhritarashtra selected Yudhishthira in preference to his own eldest son, Duryodhana. A long-standing jealousy between the Pandava and Kaurava princes then broke forth openly. Duryodhana expostulated with his father, and the end was that the Pandavas went in honourable banishment to the city of Varanavata.

The jealousy of Duryodhana pursued them, and his emissaries laid a plot burning the brothers in their dwelling-house. Yudhishthira's sagacity discovered the plot and Bhima frustrated it. The bodies of a Bhil woman and her five sons were found in the ruins of the burnt house, and it was believed for a time that the Pandavas and their mother had perished.

When Draupadi had been won at the swayamvara, Yudhishthira, the eldest of the five brothers, was requested by his juniors to make her his wife, but he desired that she should become the wife of Arjuna, by whose prowess she had been won. Through the words of their mother, Kunti, and the decision of the sage Vyasa, the princess became the common wife of the five brothers. An arrangement was made that Draupadi should dwell in turn with the five brothers, passing two days in the separate house of each, and that under pain of exile for twelve years no one of the brothers but the master of the house should enter while Draupadi was staying in it.

The arms of the family were kept in the house of Yudhishthira, and an alarm of robbery being raised, Arjuna rushed there to procure his weapons while Draupadi was present. He thus incurred the pain of exile, and departed, though Yudhishthira endeavoured to dissuade him by arguing that the elder brother of a fatherless family stood towards his juniors in the position of a father.

After the return of the Pandavas from exile and their establishment at Indraprastha, the rule of Yudhishthira is described as having been most excellent and prosperous. The Raja "ruled his country with great justice, protecting his subjects as his own sons, and subduing all his enemies round about, so that every man was without fear of war or disturbance, and gave his whole mind to the performance of every religious duty. And the Raja had plenty of rain at the proper season, and all his subjects became rich; and the virtues of the Raja were to be seen in the great increase of trade and merchandise, in the abundant harvests and the prolific cattle. Every subject of the Raja was pious; there were no liars, no thieves, and no swindlers; and there were no droughts, no floods, no locusts, no conflagrations, no foreign invasions, and no parrots to eat the grain. The neighbouring Rajas, despairing of conquering Raja Yudhishthira, were very desirous of securing his friendship. Meanwhile Yudhishthira, though he would never acquire wealth by unfair means, yet prospered so exceedingly that had he lavished his riches for a thousand years no diminution would ever have been perceived."

After the return of his brother Arjuna from exile, Yudhishthira determined to assert his supremacy by performing the Rajasuya sacrifice, and this led to a war with Jarasandha, Raja of Magadha, who declined to take part in it, and was in consequence defeated and killed.

The dignity which Yudishthira had gained by the performance of the sacrifice rekindled the jealousy of Duryodhana and the other Kauravas. They resolved to invite their cousins to a gambling match, and to cheat Yudhishthira of his kingdom. Yudhishthira was very unwilling to go, but could not refuse his uncle's invitation. Sakuni, maternal uncle of Duryodhana, was not only a skillful player but also a dexterous cheat. He challenged Yudhishthira to throw dice with him, and Yudhishthira, after stipulating for fair-play, began the game. He lost his all, his kingdom, his brothers, himself, and his wife, all of whom became slaves.

When Draupadi was sent for as a slave and refused to come, Duhsasana dragged her into the hall by the hair, and both he and Duryodhana grossly insulted her. Bhima was half mad with rage, but Yudhishthira's sense of right acknowledged that Draupadi was a slave, and he forbade Bhima and his brothers to interfere.

When the old Maharaja Dhritarashtra was informed of what had passed, he came into the assembly, and declaring that his sons had acted wrongfully, he sent Draupadi and her husbands away, imploring them to forget what had passed. Duryodhana was very wroth, and induced the Maharaja to allow another game to avoid war, the condition being that the losers should go into exile for thirteen years, and should remain concealed and undiscovered during the whole of the thirteenth year. The game was played, and loaded dice gave Sakuni the victory, so the Pandavas went again into exile.

During that time they rendered a service to Duryodhana by rescuing him and his companions from a band of marauders who had made them prisoners. When Jayadratha, king of Sindhu, was foiled in his attempt to carry of Draupadi, the clemency of Yudhishthira led him to implore his brothers to spare their captive's life.

As the thirteenth year of exile approached, in order to keep themselves concealed, the five brothers and Draupadi went to the country of Virata and entered into the service of the Raja. Yudhishthira's office was that of private companion and teacher of dice-playing to the king. Here Yudhishthira suffered his wife Draupadi to be insulted, and dissuaded his brothers from interfering, lest by so doing they should discover themselves.

When the term of exile was concluded, Yudhishthira sent an envoy to Hastinapura asking for a peaceful restoration to the Pandavas of their former position. The negotiations failed, and Yudhishthira invited Krishna to go as his representative to Hastinapura. Notwithstanding Yudishthira's longing for peace the war began, but even then Yudhishthira desired to withdraw, but was overruled by Krishna.

Yudhishthira fought in the great battle, but did not distinguish himself as a soldier. The version of the Mahabharata given in Mr. Wheeler's work makes him guilty of downright cowardice. At the instigation of Krishna he compassed the death of Drona by conveying to that warrior false intelligence of the death of his son Aswatthaman, and his character for veracity was used to warrant the truth of the representation. His conscience would not allow him to tell an downright lie, but it was reconciled to telling a lying truth in killing an elephant named Aswatthaman, and informing the fond father that Aswatthaman was dead.

He retreated from a fight with Karna, and afterwards reproached Arjuna for not having supported him and Bhima. This so irritated Arjuna that he would have killed him on the spot had not Krishna interposed.

After the great battle was over Krishna saluted him king, but he showed great disinclination to accept the dignity. His sorrow for those who had fallen was deep, especially for Karna, and he did what he could to console the bereaved Dhritarashtra and Gandhari, as well as the many other sufferers.

He was made king, and was raised to the throne with great pomp, he acting as ruler under the nominal supremacy of the old King Dhritarashtra. There, after an interval, he asserted his universal supremacy by performing the great Aswamedha sacrifice.

The death of Krishna at Dwaraka and regrets for the past embittered the lives of the Pandavas, and they resolved to withdraw from the world. Yudhishthira appointed Parikshit, grandson of Arjuna, to be his successor, and the five brothers departed with Draupadi to the Himalayas on their way to Swarga. The story of this journey is told with great feeling in the closing verses of the Mahabharata.

Yudhishthira had a son named Yaudheya by his wife Devika; but the Vishnu Purana makes the son's name Devaka and the mother's Yaudheyi.

(~ From Mythfolklore.net)

Read more about him: Wikipedia

Many many thanks to “Apoorva Chandar” for providing ACK scan.

Thursday, February 5, 2009

ACK-065: Agastya

An out of print ACK #69

AGASTYA
. A Rishi, the reputed author of several hymns in the Rigveda, and a very celebrated personage in Hindu story.

He and Vasishtha are said in the Rigveda to be the offspring of Mitra and Varuna, whose seed fell from them at the sight of Urvasi; and the commentator Sayana adds that Agastya was born in a waterjar as a fish of great lustre, whence he was called Kalasisuta, Kumbhasambhava, and Ghatodbhava. From his parentage he was called Maitravaruni and Aurvasiya; and as he was very small when he was born, not more than a span in length, he was called Mina.

Though he is thus associated in his birth with Vasishtha, he is evidently later in date, and he is not one of the Prajapatis.

His name, Agastya, is derived by a forced etymology from a fable, which represents him as having commanded the Vindhya mountains to prostrate themselves before him, through which they lost their primeval altitude; or rather, perhaps, the fable has been invented to account for his name. This miracle has obtained for him the epithet Vindhyakuta; and he acquired another name, Pitabdhi, or Samudrachuluka, "Ocean drinker,' from another fable, according to which he drank up the ocean because it had offended him, and because he wished to help the gods in their wars with the Daityas when the latter had hidden themselves in the waters.

He was afterwards made regent of the star Canopus, which bears his name. The Puranas represent him as being the son of Pulastya, the sage from whom the Rakshasas sprang. He was one of the narrators of "the Brahma Purana and also a writer on medicine.

The Mahabharata relates a legend respecting the creation of his wife. It says that Agastya saw his ancestors suspended by their heels in a pit, and was told by them that they could be rescued only by his begetting a son. Thereupon he formed a girl out of the most graceful parts of different animals and passed her secretly into the palace of the king of Vidarbha. There the child grew up as a daughter of the king, and was demanded in marriage by Agastya. Much against his wills the king was constrained to consent, and she became the wife of the sage. She was named Lopamudra, because the animals had been subjected to loss (lopa) by her engrossing their distinctive beauties, as the eyes of the deer, etc. She was also called Kausitaki and Varaprada.

The same poem also tells a story exhibiting his superhuman power, by which he turned King Nahusha into a serpent and afterwards restored him to his proper form.

It is in the Ramayana that Agastya makes the most distinguished figure. Ho dwelt in a hermitage on Mount Kunjara, situated in a most beautiful country to the south of the Vindhya mountains, and was chief of the hermits of the south. He kept the Rakshasas who infested the south under control, so that the country was only gazed upon and not possessed by them.

His power over them is illustrated by a legend which represents him as eating up a Rakshasa named Vatapi who assumed the form of a ram, and as destroying by a flash of his eye the Rakshasa's brother, Ilvala, who attempted to avenge him. (See Vatapi.)

Rama in his exile wandered to the hermitage of Agastya with Sita and Lakshmana. The sage received him with the greatest kindness, and became his friend, adviser, and protector. He gave him the bow of Vishnu; and when Rama was restored to his kingdom, the sage accompanied him to Ayodhya.

The name of Agastya holds a great place also in Tamil literature, and he is "venerated in the south as the first teacher of science and literature to the primitive Dravidian tribes;" so says Dr. Caldwell, who thinks " we shall not greatly err in placing the era of Agastya in the seventh, or at least in the sixth century B.C." Wilson also had previously testified to the same effect: "The traditions of the south of India ascribe to Agastya a principal share in the formation of the Tamil language and literature, and the general tenor of the legends relating to him denotes his having been instrumental in the introduction of the Hindu religion and literature into the Peninsula."

(~ from Mythfolklore.net)

Many many thanks to an Anonymous friend” for providing ACK scan.

Wednesday, February 4, 2009

ACK-064: Pradyumna

An out of print ACK #107

PRADYUMNA. A son of Krishna by Rukmini.

When a child only six days old, he was stolen by the demon Sambara and thrown into the ocean. There he was swallowed by a fish, which was afterwards caught and carried to the house of Sambara. When the fish was opened, a beautiful child was discovered, and Mayadevi or Mayavati, the mistress of Sambara's household, took him under her care. The sage Narada informed her who the child was, and she reared him carefully.

When he grew up she fell in love with him, and informed him who he was and how he had been carried off by Sambara. He defied the demon to battle, and after a long conflict slew him. Then he flew through the air with Mayavati, and alighted in the inner apartments of his father's palace.

Krishna presented him to his mother Rukmini "with the virtuous Mayavati his wife," declaring her really to be the goddess Rati.

Pradyumna also married Kakudmati, the daughter of Rukmin, and had by her a son named Aniruddha.

Pradyumna was killed at Dwaraka in the presence of his father during a drunken brawl.

Though Pradyumna passed as the son of Krishna, he was, according to the legend, a revival or resuscitation of Kama, the god of love, who was reduced to ashes by the fiery glance of Siva, and so the name Pradyumna is used for Kama.

The Vishnu Purana puts the following words into the mouth of Narada when he presented Pradyumna to Rukmini: "When Manmatha (the deity of love) had perished, the goddess of beauty (Rati), desirous to secure his revival, assumed a delusive form, and by her charms fascinated the demon Sambara, and exhibited herself to him in various illusory enjoyments. This thy son is the descended Kama ; and this is (the goddess) Rati, his wife. There is no occasion for any uncertainty; this is thy daughter-in-law."

In the Harivansa he has a wife named Prabhavati, daughter of King Vajranabha. When he went to see her for the first time, he changed himself into a bee and lived in a garland of flowers which had been prepared for her.

According to the Mahabharata, he was Sanatkumara, the son of Brahma.

(~ from Mythfolklore.net)
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NOTE: Pradyumna (Sanskrit:प्रद्‍युम्‍न) is one of 24 lord Keshava (Vishnu) names which praised in all poojas.
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Many many thanks to an Anonymous friend” for providing ACK scan.

Saturday, January 17, 2009

ACK-051: Ashwins to the rescue

ACK #319 (#669)

Ashwins, the twin brothers, twin deities (Devata-s) are generally identified as the father of the founder of Ayurveda. Ashwins are son of Surya (The sun ) & Sanjna (the daughter of Viswakarma) . The word 'Ayurveda' comes from the word 'ayur' meaning 'life' and the word 'veda' meaning 'to know'. Ayurveda means 'the science of life', and is a medical system practiced in India, Sri Lanka and Nepal till day & well known in the world.

In Vedic literature Ashwins are among the 33 Devata-s. They are ever young and handsome, bright, and of golden brilliancy, agile, swift as falcons, and possessed of many forms; and they ride in a golden car drawn by horses or birds, as harbingers of Ushas, the dawn. "They are the earliest bringers of light in the morning sky, who in their chariot hasten onwards before the dawn and prepare the way for her." Roth.

As personifications of the morning twilight, they are said to be children of the sun by a nymph who concealed herself in the form of a mare; hence she was called Aswini and her sons Aswins. But inasmuch as they precede the rise of the sun, they are called his parents in his form Pushan.

Mythically they are the parents of the Pandu princes Nakula and Sahadeva.

Their attributes are numerous, but relate mostly to youth and beauty, light and speed, duality, the curative power, and active benevolence.They were the physicians of Swarga, and in this character is called Das and Nasatyas, Gadagadau and Swarvaidyau ; or one was Dasra and the other Nasatya.

Other of their appellations are Abdhijau, 'ocean born;' Pushkamsrajau, 'wreathed with lotuses;' Badaveyau, sons of the submarine fire, Badava. Many instances are recorded of their benevolence and their power of healing.

It can never be doubted that ancient sages and Ayurvedic surgeons had a very good knowledge of anatomy of body. Various body organs also find there name in Vedas. There structural anatomy has also been described in the Vedas (1700-500 BC - the oldest sacred texts of Hinduism).

These are four:
the Rigveda (1700–1100 BC),
the Yajurveda (1,400 - 1000 BC),
the Samaveda and
the Atharvaveda.

Rig veda has also contains certain references regarding the conditions of vaidya (physician) in those days. They were paid for there services and had a high reputation in the society. They are just considered equivalent to Gods. During those days there were three categories of vaidya (physicians), these were:
  • Shalya vaidya (surgeons)
  • Bhisohaks (physician)
  • Bhishk athatvans (faith cures)
It will be very surprising for many that surgery is mentioned in Vedas. Ashwani kumar, the twin brothers were the celestial physicians and surgeons who were extolled in many hymns for their cures of disease and feats of surgery. It is believed that they were experts in the orthopedics.

According to Hinduism, Brahma is the creator of the universe. He is said to be the originator of Ayurveda. The knowledge was the passed to Prajapati (lord of creatures). This knowledge was again passed to the Ashwins and then to Lord Indra* (the lord of all deties) who intern taught to seven rishis who approached to him. Thus the science of Ayurveda has been brought into the world through the celestials.

This ACK contains two stories in which Ashwins came to help their devotee.

*Indra - King of the Devas or Devata-s or Deties. The King of Kings. Handsomest of the handsome. More powerful than the most powerful. Hero of the Rig veda. A warrior par excellence. Ruler of the heavens (Svargaloka). The god of War and Weather. One who can grant any boon. The eldest son of Kasyapa and Aditi. Resplendent with his loyal elephant and brilliantly bedecked horse. Wielding the vajra (thunderbolt) for a weapon, Indra, marks the beginning, the tallest figure in the Hindu pantheon in ancient times.
Above him only the principal trinity God of the Hinduism - Brahma , Vishnu and Mahesh (Shiva).

Many many thanks to “Ajay Misra” for providing this ACK scan.

Monday, November 24, 2008

ACK-035: The Acrobat and Other Buddhist Tales

Taking into account archaeological and literary evidence, it appears that Buddhist tales were compiled in the period third century BC to fifth century AD. They give us invaluable information about Buddha, ancient Indian civilization, culture and philosophy.
The stories of Buddha have been very popular in the Buddhist world. These stories have not only been translated into almost all the languages closely related to Buddhism - Chinese, Tibetan, Sinhalese, Burmese, Japanese - but also into many modern European languages. Sanchi, Bharhut, Amaravati and Ajanta in India, Borobundur in Java, Pegan in Burma and Sukhodaya in Thailand bear testimony to the popularity of these tales.

This ACK comprises of multiple stories. The first, "The Acrobat", is about Ugrasena's transformation from the royal treasurer's son to an acrobat to a follower of Buddha. In the second story, "The Harvest", Buddha teachers a farmer about the benefits of detachment. Buddha explains the ills of desire to the young Prince Kumara in the third story, "The Golden Maiden". And finally, "Buddha and Krishna Gautami" is one of the more famous stories, wherein Buddha teaches the distraught Gautami about the inevitability of truth.

Many many thanks to “Ajay Misra” for providing this ACK scan.

Monday, November 3, 2008

ACK-031: Valmiki's Ramayana; & ACK-032: The Bridegroom's Ring

According to Hinduism and Hindu mythology, Valmiki is the name of a famous maharishi (the great sage) who wrote the Ramayana. The Ramayana is one of the two most famous Hindu epics, the other is the Mahabharata.

About Valmiki

Early Life

Maharishi Valmiki was born as Ratnakara to sage Prachetasa. At a very young age, Ratnakara went into the forest and got lost. A hunter, who was passing by, saw Ratnakara and took him under his own care. Under the love and care of his foster parents, Ratnakara forgot his original parents. Under his father's guidance, Ratnakara turned out to be an excellent hunter. As he approached marriageable age, Ratnakara was married to a beautiful girl from hunter's family.

Turning into a Robber

As his family grew larger, Ratnakara found it next to impossible to feed them. As a result, he took to robbery and began looting people passing from one village to another.

Meeting with Narada and Transformation

One day, the great sage Narada, while passing through the jungle, was attacked by Ratnakara. As Narada played his Veena and sang praises of the Lord, he saw a transformation coming over Ratnakara. Then, he asked Ratnakara whether the family, for whom he was robbing others, will partake in his sins also. Ratnakara went to ask the same question to his family and on being refused by all his family members, he went back to sage Narada. Narada taught him the sacred name of 'Rama' and asked him to sit in meditation, chanting the name of Rama, till the time Narada came back.

Ratnakara followed the instructions and kept sitting in a meditative posture for years, during which his body got completely covered by an anthill. At last, Narada came to see him and removed all the anthills from his body. Then, he told Ratnakara that his tapasya (meditation) paid off and the God was pleased with him. Ratnakara was bestowed with the honor of a Brahmarshi and given the name of Valmiki, since he was reborn from the Valmika (the ant-hill).

Receiving Lord Rama

One day, Valmiki had the fortuity of receiving Lord Rama's wife Sita (later gave birth to her twins Lav & Kusha in his ashram), later Lord Rama and his brother Lakshman at his ashram. On Valmiki's suggestion, Lord Rama built his hut on Chitrakuta hill, near the ashram.

Writing Ramayana

Narada visited Maharishi Valmiki in his ashram once and there, he narrated the story of Lord Rama. Thereafter he received a vision from Brahma in which the Lord instructed him to write Ramayana in slokas, which the sage readily followed.


Srimad Valmiki Ramayana is an epic poem of India which narrates the journey of Virtue to annihilate vice. Sri Rama is the Hero and aayana His journey. In India, there is believe that Sri Rama lived in Treta Yug, millennia BC.

Srimad Valmiki Ramayana is composed of verses called Sloka, in Sanskrit language, which is an ancient language from India and a complex meter called Anustup. These verses are grouped into individual chapters called Sargas, wherein a specific event or intent is told. These chapters or sargas are grouped into books called Kaandas where Kaanda means the inter-node stem of sugar cane, or also a particular phase of the story or an event in the course of story telling.

Srimad Valmiki Ramayana contains 24,000 verses or [sloka] arranged into numerous cantos [sarga], which are contained in six Kaandas or Books, and they are:
Bala Kanda ( Book of Youth) [77 chapters]
Ayodhya Kanda (Book of Ayodhya) [119 chapters]
Aranya Kanda (Book of Forest ) [75 chapters]
Kishkindha Kanda (The Empire of Holy Monkeys) [67 chapters]
Sundara Kanda ( Book of Beauty ) [68 chapters]
Yuddha Kanda ( Book of War ) [131 chapters]

Many many thanks to an “Unknown friend” for providing ACK scan.

*In future try to provide better version of this ACK.
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An out of print ACK


Many many thanks to “Ajay Misra” for providing this ACK scan.










Friday, October 17, 2008

ACK-029:The Ancestors of Rama; & ACK-030: The Celestial Necklace

Rama's Ancestry

The Sun Dynasty or Solar Dynasty or Suryavansha is one of the most prominent dynasties in the history of Hinduism, along with the "Chandravansha" or Lunar Dynasty.

"Suryavanshi" means a person belonging to this dynasty. This clan was the eldest and the most prosperous in ancient India till the rise of Magadh in the 6th century BC. Ayodhya, the city founded by Vaivasvata Manu son of Vivasvan or Vaivasvata, was their capital.

The full lineage from Brahma is given in the Ramayana by Valmiki, other important sources are the Mahabharat, the Ramayana , the Bhagwat Purana & the Raghuvamsha of Kalidasa

The List of Monarchs

The following is the list, in chronological order, of the monarchs of the solar dynasty. Most of them were rulers of Ayodhya and therefore, Kings of Kosala.

According to Bhagwat Purana, Brahma created sage 10 sages using his mental powers -Marichi, Atri, Angiras, Pulastya, Pulaka, Kratu, Vasishtha, Prachetas or Daksha, Bhrigu, Nārada., one of whom was Marichi.

Kashyapa, the son of Marichi and Kala, is regarded as the father of humanity. His sons from Aditi, the sky goddess, and the daughter of Daksha Prajapati are called Adityas (Sons of Aditi), they were, Aṃśa, Aryaman, Bhaga, Dhūti, Mitra, Pūṣan, Śakra, Savitṛ, Tvaṣṭṛ, Varuṇa, Viṣṇu, and Vivasvat or Vivasvan.

Vivasvan or Vaivasvata (one of the sons of Lord Sun) - the Sun God, progenitor of the clan. His parents were the sage Kashyapa, father of all beings, and Aditi, Aditi's 12 sons, the Adityas, are the sun deities, and both Vivaswan and Aditya mean sun. Therefore another name for Vivaswan is Surya or the Sun, hence the name, Suryavansha. Vivaswan's sons include Shrraaddev and Shanishchar. The river Tapi was named after Vivaswan's sister Tapti.

  1. Manu or Vaivasvata Manu - the King of all mankind and the first human being. (According to Hindu belief there are 14 Manvantaras; in each, Manu rules. Vaivasvata Manu was the seventh Manu. Manu is referred to as a Rajan (King) in the Shatapatha Brahmana scripture. He founded the town of Ayodhya. He had nine sons, Vena, Dhrishnu, Narishyan, Nabhaga, Ikshvaku, Karusha, Saryati, Prishadhru, Nabhagarishta and one daughter, Ila, who was married to Budha of the Lunar Dynasty). He left the kingdom to the eldest male of the next generation, Ikshvaku, who was actually the son of Manu's brother Shraaddev.
  2. Ikshvaku - the first prominent monarch of this dynasty, giving the dynasty its another name the Ikshvaku dynasty. He had one hundred sons. Fifty of them ruled Uttarapath (Northern India) and fifty ruled Dakshinapath (Southern India).
  3. Vikukshi - He is said to have eaten the meat of a rabbit at the time of Shraddha and was known as Shasad. (Some records claim him to be grandson of Ikshvaku.) His son was Kakuthsa or Puranjay.
  4. Kakutstha or Puranjaya - He was a brave king and fought in the Devasur Sangram. His original name was Puranjaya. But after he annihilated Asuras (demons) while sitting on the hump (Kukud) of a bull, he was known as Kakuthstha, which means seated on the hump. His dynasty was also known as Kakuthstha after him.
  5. Anena or Anaranya
  6. Prithu
  7. Vishvagashva
  8. Ardra or Chandra
  9. Yuvanashva I
  10. Shravast - He founded the town of Shravasti near Kosala.
  11. Vrihadashva
  12. Kuvalashva - He killed a Rakshasa named Dhundh. It is said that Dhundhar region and the Dhund river are named after Dhund. Eighteen of Kuvalashva's sons died in the battle with Dhund. Thereafter, Kuvalashva was called "Dhundhumara".
  13. Dridhashva
  14. Pramod
  15. Haryashva I
  16. Nikumbh
  17. Santashva
  18. Krishasva
  19. Prasenjit I - His daughter Renuka was married to sage Jamdgni. She was mother of Parashurama.
  20. Yuvanashva II - He was married to Gori, daughter of the Chandravanshi king Matinaar.
  21. Mandhata - He became a famous and Chakravarti (ideal universal ruler) king. He defeated most of the other kings of his time. He married Bindumati, a daughter of the Chandravanshi king.
  22. Purukutsa - He performed the Ashwamedha Yajna (horse sacrifice). He married Nagkanya "Narmada". He helped Nagas in their war against the Gandharvas.
  23. Traddasyu
  24. Sambhoot
  25. Anaranya II
  26. Trashdashva
  27. Haryashva II
  28. Vasuman
  29. Tridhanva
  30. Tryyaruna
  31. Satyavrata or Trishanku - His original name was Satyavrata, but he committed three (tri) sins, and hence got the name Trishanku. First, while he was a prince, he misbehaved and was temporarily exiled from the kingdom. Next, he killed the milch cow of his preceptor Vasishta. His third sin was that he used the unsanctified meat of his kill as food. Trishanku also had a desire to ascend to heaven in his mortal body. After Vashistha refused him this boon, since it is against nature to ascend into heaven as a mortal, the sage Vishwamitra, Vashistha's rival, created another heaven for him, called "Trishanku's Heaven", and located in mid-air. His sons were Dhundumara, and Harishchandra, who was borh of the princess of "Kaikaya" named "Satyaraksha".
  32. Harishchandra - He is known for his honesty, truth and devotion to duty or Dharma.
  33. Rohitashva - He was the son of Harishchandra. He founded town of Rohtas Garh in Rohtas district, Bihar and Rohtak, originally Rohitakaul, meaning from the Kul (family) of Rohit
  34. Harit
  35. Chanchu
  36. Vijay
  37. Ruruk
  38. Vrika
  39. Bahu or Asit - He was attacked and defeated by another clan of Kshatriyas. After this, he left Ayodhya and went to the Himalaya mountains to live as an ascetic with his queens. At that time Yadavi queen was pregnant with Sagara.
  40. Sagara - He recaptured Ayodhya from the "Haihaya" and "Taljanghi" Kshtriyas. He then attempted to perform the horse sacrifice, Ashwamedha Yajna. However, the sacrificial horse was stolen by the god Indra on the south eastern shores of the ocean, which was at that time an empty bed with no water in it. At least sixty of Sagara's sons died attempting to recover the horse, also causing great destruction by their reckless search. Puranic legends say the number of his sons was 60 thousand.
  41. Asmanja - Sagara's surviving son was not made king due to his bad conduct.
  42. Anshuman - He was the grandson of Sagara, and his successor as king. He did penance in an attempt to bring the holy river Ganges to earth, that she might wash away the sins of his ancestors.
  43. Dileepa I - He also tried to bring Ganges to earth, but also failed.
  44. Bhagiratha - Sagara's great-grandson, after strenuous penances, at last succeeded in bringing Ganga down from heaven. When she flowed over the remains of his ancestors, their souls were redeemed, and the ocean was refilled. Ganga also bears the name "Bhagirathi", in honour of his deed.
  45. Shrut
  46. Nabhag
  47. Ambarish - According to Buddhist legends, he went to Tapovana to be a renunciant but after a public outcry returned and ruled for some time.
  48. Sindhu Dweep
  49. Pratayu
  50. Shrutuparna
  51. Sarvakama
  52. Sudaas
  53. Saudas or Mitrasah - He performed the Ashwamedha Yajna, but as the rituals were concluding a Rakshasa tricked him into serving human meat to Brahmin,s including Rishi Vashishta. He was then cursed by the Brahmins. He wanted to curse them back, but his wife prevented him. He spent twelve years in exile in the forest.
  54. Sarvakama II
  55. Ananaranya III
  56. Nighna
  57. Raghu I
  58. Duliduh
  59. Khatwang Dileepa
  60. Raghu II or Dirghbahu - He was a famous king, who conquered most of India. The great epic Raghuvamsa describes his victories. After him the Sun dynasty was also known as the dynasty of Raghu or Raghu Vansha.
  61. Aja
  62. Dasaratha
  63. Rama - He is considered the seventh Avatar of the god Vishnu. He is worshiped by every Hindu. Rama's story before he became king of Ayodhya is recounted in the Ramayana. After he ascended the throne, he performed the Ashwamedha Yajna. Bharata, his younger brother, won the country of Gandhara and settled there, where his two sons, Taksha and Pushkal, founded the cities of Taksashila and Pushkalavati, now known as Taxila and Peshawar. Rama's third brother, Lakshmana, founded Lakshmanpur, now known as Lucknow, and his youngest brother Shatrughna, Lakshmana's twin, was given Madhura which is now known as Mathura.

Sumitra - He was the last king (118th) of Ayodhya from solar dynasty. In the fourth century BC, emperor Mahapadma Nanda of the Nanda Dynasty forced Sumitra to leave Ayodhya. He went to Rohtas with his sons. His son Kurma established his rule over Rohtas.

Above motioned Information based on Wikipedia, but modified with help some more authentic sources.


Many many thanks to “Ajnaabi” for providing ACK scan.

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An ACK based on JAIN STORY







Many many thanks to “Ajay Misra” for providing this ACK scan.

Saturday, September 20, 2008

ACK-026:The Sons of Rama

This title is based on Uttara-Ramacharita of Bhavabhuti. He was an 7th century scholar of India noted for his plays and poetry, written in Sanskrit. His plays are considered equivalent to the works of Kalidas. Bhavabhuti was born in a Deshastha Brahmin family of Padmapura, Vidarbha, central India, in Gondia district, on Maharashtra and MP border. His real name was Srikantha Nilakantha, and he was the son of Nilakantha and Jatukarni.
Uttararamacharita by Bhavabhuti (seventh century) deals with the history of Rama's later life, beginning with his coronation, the abandonment of Sita, and their final reunion. Bhavabhuti says he has only given a dramatic form to the Ramayanakatha of Valmiki. It is true that the main characters and events in this play are drawn from the Valmiki Ramayana, but the changes in characters and happenings Bhavabhuti has made, including the happy end, cannot all be ascribed to the demands of the dramatic form. Bhavabhuti has, in fact, presented the Rama story with a new motivation within an overall design implying purposeful art.

Many many thanks to “LMP” for providing ACK scan.

Thursday, September 4, 2008

ACK-025:Garuda

Garuda is the Hindu name for the constellation Aquila. The Garuda (Sanskrit: Garuḍa, Pāli Garuḷa) is a large mythical bird or bird-like creature, the king of birds, that appears in both Hindu and Buddhist mythology.

Garuda is one of the three principal animal deities in the Hindu Mythology that has evolved after the Vedic Period in Indian history. The other two are Ganesha, the elephant-headed and Hanuman, the monkey god. Thailand and Indonesia uses the garuḍa as its national symbol. It is after Garuda that the Indonesian National Airlines is named. Even today, Garuda is much revered by devout Hindus for his ethics and his strength in applying his ethics to correct evil-doers.

The story of Garuda's birth and deeds is told in the first book of the great epic Mahabharata. In Hindu mythology, a Garuda is a lesser Hindu divinity, usually the mount (vahanam) of Vishnu. Garuda is depicted as having a golden body, white face, red wings, and an eagle's beak, but with a man's body. He wears a crown on his head. He is ancient and has size enough to block out the sun.

His stature in Hindu religion can be gauged by the fact that an independent Upanishad, the Garudopanidad, and a Purana, the Garuda Purana, is devoted to him. Various names have been attributed to Garuda - Chirada, Gaganeshvara, Kamayusha, Kashyapi, Khageshvara, Nagantaka, Sitanana, Sudhahara, Suparna, Tarkshya, Vainateya, Vishnuratha and others. The Vedas provide the earliest reference of Garuda, though by the name of Śyena, where this mighty bird is said to have brought nectar to earth from heaven. The Puranas, which came into existence much later, mention Garuda as doing the same thing, which indicates that Śyena (Sanskrit for Eagle) and Garuda are the same. One of the faces of Śrī Pañcamukha Hanuman is Mahavira Garuda. This face points towards the west. Worship of Garuda is believed to remove the effects of poisons from one's body. In Tamil Vaishnavism Garuda and Hanuman are known as "Periya Thiruvadi" and "Siriya Thiruvadi" respectively.

In the Bhagavad-Gita (Ch.10, Verse 30), in the middle of the battlefied "Kurukshetra", Krishna explaining his omnipresence, says - "Of birds, I am the son of Vineeta (Garuda)" indicating the importance of Garuda.

Garuda plays an important role in Krishna Avatar in which Krishna and Satyabhama ride on Garuda to kill Narakasura. On another occasion, Lord Hari rides on Garuda to save the devotee Elephant Gajendra. It is also said that Garuda's wings when flying will chant the Vedas.

Many many thanks to “Ajnaabi” for providing ACK scan.

Friday, August 29, 2008

ACK-023: Karttikeya; & ACK-024: Panchatantra-How the jackle ate the Elephant

Karttikeya, Lord Shiva's eldest son, is the God of the War, the war-lord of the Deva (God) army. He replaces both Indra and Agni who, in the early stages of Hinduism, were considered to be gods of battles. In his role as defender of the gods Karttikeya is more single-minded than any of his predecessors. Hindu myths profess that he is interested in nothing but battles and warlike adventures.He was conceived by his father's sprem alone. Then he was nurtured by Agni, Ganga, Sharavana (forest of reeds) and the Krittikas (six celestial nymphs, the Pleiades) in turn.

His vahana (vehicle) is a peacock.

Other names are Dvadasaksha (twelve-eyes), Dvadasakara (twelve-hands), Gangaputra (Son of the Ganga), Guha, Kumara (the Boy), Mahasena, Murugan, Rijukaya, Sarabhu, Skanda, Subramanya, Swaminatha, Trakajit.


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The original text, of the Panchatantra in Sanskrit was probably written about 200 B.C. by a great Hindu scholar, Pandit Vishnu Sharma. But some of the tales themselves must be much older, their origin going back to the period of the Rig-Veda and Upanishads (from 1500 B.C. to 500 B.C.). According to some scholars of the Indo-European languages, the Panchatantra is the oldest collection of Indian fables surviving.

In course of time, travellers took these stories with them to Persia and Arabia and finally through Greece, they reached Europe. It is surmised that a version of the Panchatantra was composed in the Pahlavi language of pre-Islamic Iran sometime in the 6th century A.D., being followed by an Arabic one in the 8th century A.D. The Greek translation was made towards the close of the 11th century A.D, from which it was translated into various European languages. This accounts for the fact that to many Westerners, some of the stories have a familiar ring. So far it has been translated into 50 or more languages of the world.

The gypsies, whose Indian origin is well established, also helped in spreading these tales in Europe.

The Panchatantra. is essentially connected with one of the branches of science known by the Indians as the 'Nitishastra' which in Sanskrit means 'A book of wise conduct in life'. It attempts to teach us, how to understand people, bow to choose reliable and trustworthy friends, how to meet difficulties and solve problems through tact and wisdom, and how to live in peace and harmony in the face of hypocrisy, deceit and many pitfalls in life.

The Panchatantra is woven round the frame of a tale of a king who entrusts his three 'dud' sons to a learned man, a Brahmin, called Pandit Vishnu Sharma, to enlighten their minds within six months. The Brahmin promises to educate them and takes them to his 'ashrama' (hermitage). There he recites to them his specially composed tales divided into five tantras (in Sanskrit: Pancha=five and tantra=systems or parts) of how to deal with people in life.

The language of the author is both artistic and elegant. The tale is narrated in prose while the exposition of a philosophical and moral theme is put in verse, maxims or wise sayings are also expressed in verse, which either sums up the narration or introduces the next tale.

The story-teller's art sugars the pill of his sober philosophy. He sets story within story and keeps us waiting for the sequels and so leads us on through the five 'tantras.' As one fable follows another, people and animals are constantly changing places and they share the same characteristics of love and hatred, compassion and wit, selfless courage and base cowardice, generosity and meanness. Each story has a moral and philosophical theme which has stood the test of time and so is true even in modern times - an age 'of atomic fear and madness.

The Panchatantra is a rare book, we can find in it philosophy, psychology, politics, music, astronomy, human relationship, etc., all discussed together in such a simple and yet elegant style. This is exactly what Pandit Vishnu Sharma had in mind, to give as much knowledge to the princes as possible. And no doubt not only the princes but also millions of listeners and readers for the last 2,200 years have benefited from this most unique book.

Many many thanks to “Ajnaabi” for providing ACK scans.