Monday, April 27, 2009
ACK-119: Syamantaka Mani
Monday, March 23, 2009
ACK-109: Guru Ravidas
Friday, March 20, 2009
ACK-104: Ramanuja
"Let noble thoughts come to us from every side" - Rigveda (1,89,1)
ACK-103: Adi Shankara

Shri Adi Shankaracharya (788-820)
ACK-102: Madhvacharya
Wednesday, March 11, 2009
ACK- 093: Vivekanand
None is really weak; the soul is infintes, omnipotent and omniscient. Stand up, assert yourself, proclain the GOD within you, do not deny him!
Too much of inactivity, too much of weakness, too much of hypnotism, has been & is upon our race. O ye morden Hindus, de-hypnotise yourselves.
The way to do that is found in your own sacred books. Teach yourself, teach everyone his real nature, call upon the sleeping sould and see how it awakes.Power will come, glory will come, goodness will come, purity will come, everything that is excellent will come when this sleeping soul is roused to self-consicous activity.
Ay, If there is anything in the Gita that I like , it is these verses, coming out strong as the very gist, the very essence, of Krishana's teaching "He who sees the supreme Lord dwelling alike in all beings, the Imperishable in the things that perish, he sees indeed. For seeing the Lord as the same, everywhere present, he does not destory the self by the self, and thus he goes to the highest goal."
-Swami Vivekananda (from www.vkendra.org)
Narendra started studying in college after he passed the matriculation exam. He read books on philosophy, religion, history, creation, science and western philosophy. He asked more and more questions about Religion and God. No body was able to satisfy him.
In early 1882, Narendra went his friends to Dakhsineshwar, to meet Sri Ramkrishna Paramahans. The Paramahans was the priest at the Kali temple. More than Narendra, the Pramahans was glad to meet Narendra! The Guru tested Narendra time and again, and the disciple tested his master. By the time Narendra completed his BA, he had also become the best disciple of Shri Pramhans.
Narendra's father died as soon as Narendra completed his BA. Narendra's family was overcome by grief and soon by poverty. Narendra started in search for job. So bad was the state of this family, that they went without meals for days. On many incedents Narendra, without food, fainted on the streets. But even in such condition, his faith in God did not decrease. Later, He took up teaching in Vidyasagar School and also started studying law.
In 1886, Sri Ramkrishna left this world. Narendra became a monk and was named "Vivekanand". Vivekanand then started travelling to spread the knowledge and teachings of his Guru. He travelled to Vrindavan, Ayodhya, Varanasi, Jaipur, Ajmer, Hyderabad, Madras, Mysore and Kanyakumari.
In Mysore it was suggested that he attend the Conference of World Religions and represent Hiduism. Vivekanand reached Chicago in July of 1893. The Conference was still 2 months away. With resources not enough to last for 2 months, Vivekanand moved to Boston, a cheaper city. Vivekanand's stay in the America was very hard. He was out of money, with no friends, hungry and without shelter.
His famous lecture at the conference that started with "Brothers and Sisters of America" received a three minute applause! Newspapers carried his photographs and speech. People flocked to hear him speak. He spoke about the culture of India and Hindu philosophy. He cleared the impression of India that had been created by the Christian missionaries. On his way back to India, he went to England. There too the people had nothing but praise for him. He found many followers in England and America.
While on this tour abroad, Vivekanand, could not help but remember the poverty of India. He would be much troubled by it and spend sleepless nights sheding tears.
Swami Vivekanand returned to India after four years. He recieved a kings welcome in Madras. He eastablished the Ramkrishna Mission in 1897. The goals of this mission included eradicating castisim, poverty. He visited the norther parts of India and established the work of Ramkrishna mission there. He then again travelled to America, and then to Paris to attend the next Religious Conference there.
At the age of 39, he attained samadhi.
(~ from www.geocities.com)
Read more about Vivekananda at: Wikipedia, vivekananda.org, freeindia.org, ramakrishnavivekananda.info, vivekananda.net, belurmath.org, btinternet.com.
Tuesday, March 10, 2009
ACK- 089, 090-091: Ramana Maharshi & More Tales From The Jatakas: Battle of Wits, The DeadlyFeast , The Hidden Treasure

May God gift you all the colors of life, colors of joy, colors of happiness, colors of friendship, colors of love and all other colors you want to paint in your life.
A very very HAPPY HOLI!
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ACK # 290 (628)
Introduction
Sri Ramana Maharshi was born on 30th December, 1879. He was known as Venkataraman. Born in a pious middle class Brahmin family, he went to a mission school and learnt a little English.
Flight From Home
On the 29th of August 1896, Venkataraman left his home in the district of Madurai in search of his Father, Lord Arunachala, to whom he reported himself on the 1st of September 1896, thus:
O Lord, obedient to Thy call
Here have I come, deserting all,
No boon I ask; no loss bemoan,
Take me in and make me Thine own.
From that day till the end of his earthly sojourn, Venkataraman made Arunachala (Tiruvannamalai) his abode, transmitting through Mouna, the golden language of his egoless state, the Message of Eternal Truth, to the four corners of the globe.
Venkataraman left a note behind to his rebuking brother: "I have, in search of my Father, according to His command, started from this place. On a virtuous enterprise, indeed, I have this day embarked. Therefore, for this action none need grieve or trace this one. No money need be spent for searching me".
The Great Enlightenment
"It was about six weeks before I left Madurai for good, in the middle of the year 1896, that the great change in my life took place" said Sri Ramana Maharshi, when asked by devotees as to how he was transformed, "It was so sudden. One day I sat up alone on the first floor of my uncle’s house. I was in my usual good health. But a sudden and unmistakable fear of death seized me. I felt I was going to die and at once set about thinking as to what I should do. I did not care to consult anyone, be he a doctor, elder or friend. I felt I had to solve the problem myself then and there. The shock of the fear of death made me at once introspective or ‘introverted’. I said to myself mentally, ‘Now that death is come, what does it mean? Who is it that is dying? This body dies’. I at once dramatised the situation. I extended my limbs and held them rigid as though rigor mortis had set in. I imitated a corpse to lend an air of reality to my further investigation. I held my breath and kept my mouth closed, pressing the lips tightly together, so that no sound could escape. ‘Well then’ I said to myself, ‘this body is dead. It will be carried to the crematory and there burnt and reduced to ashes. But with the death of my body, am I dead? Is the body I? This body is silent and inert. But I am still aware of the full force of my personality and even of the sound of I within myself as apart from the body. The material body dies, but the Spirit transcending it cannot be touched by death. I am therefore the deathless Spirit’. All this was not a feat of intellectual gymnastics, but came as a flash before me vividly as living Truth, which I perceived immediately, without any argument almost. I was something very real, the only real thing in that state, and all the conscious activity that was connected with my body was centred on that. The I or myself was holding the focus of attention with a powerful fascination. Fear of death vanished at once and for ever. The absorption in the Self has continued from that moment right up to now".
Tapas of Maharshi
Ramana practised Tapas in the thousand-pillared Mandapam, near the Patala Linga, in Subrahmanya’s shrine, in the Mango garden, the Sadguru Swami cave and Cora hills. From 1909 to 1916 he lived in the Virupakshi Cave.
During his days of Tapas, mischievous boys pelted him with stones and hurled tiles at him; and yet Ramana was ever peaceful and calm through the strength of meditation and penance.
Ramana Maharshi was known as Brahmana Swami in Tiruvannamalai. Kavya Kanta Ganapathy Sastri, the great Sanskrit scholar, came to Ramana’s Ashram in 1908 and stayed with Maharshi and wrote the Ramana Gita.
The life of the Maharshi was one continued meditation, Ananda Anubhavam. Maharshi established peace within. He lived in the Light of the Lord within. He encouraged others to do the same thing. To him all the world was one.
Maharshi seldom talked, and whenever he did speak, he did so only because it was absolutely necessary.
His Divine Message
Ramana was a living example of the teaching of the Upanishads. His life was at once the message and the philosophy of his teachings. He spoke to the hearts of men.
The great Maharshi found Himself within himself and then gave out to the world the grand but simple message of his great life, "Know Thyself".
"Know Thyself. All else will be known to thee of its own accord. Discriminate between the undying, unchanging, all-pervading, infinite Atma and the ever-changing, phenomenal and perishable universe and body. Enquire, ‘Who am I?’ Make the mind calm. Free yourself from all thoughts other than the simple thought of the Self or Atma. Dive deep into the chambers of your heart. Find out the real, infinite ‘I’. Rest there peacefully for ever and become identical with the Supreme Self." This is the gist of the philosophy and teachings of Sri Ramana Maharshi.
Sri Ramana says, "The world is so unhappy because it is ignorant of the true Self. Man’s real nature is happiness. Happiness is inborn in the true Self. Man’s search for happiness is an unconscious search for his true Self. The true Self is imperishable; therefore, when a man finds it, he finds a happiness which does not come to an end.
"In the interior cavity of the heart, the One Supreme Being is ever glowing with the Self-conscious emanation I...I... To realise Him, enter into the heart with an one-pointed mind—by quest within or diving deep or control of breath—and abide with the Self of self".
Sri Ramana’s Who am I?, Upadesa Saram and Ullathu Narpathu are pearls of direct wisdom, expressed in aphoristic terseness.
Sri B.V. Narasimha Swami, the late President of the All India Sai Samaj, has published a thrilling life of Ramana entitled, "Self-realisation". Yogi Suddhananda Bharati has written the life of Sri Ramana in Tamil.
Bhagavan Ramana Maharshi has set at naught the prattle of materialists that Self-realisation and Samadhi are things of the remote past, and that in the present age, they are impossible of achievement to man. He has shown by his lifelong Samadhi that it is still possible to realise the Supreme and live in that realisation.
Beloved aspirant! Take heart. Gird up your loins. Apply yourself intensely to Yoga Sadhana. You will soon attain Videha Kaivalya and shine for ever as an illumined sage.
The Light Shines Brighter Than Ever
Lieut-Col. P.V. Karamchandani, I.M.S., D.M.O., North Arcot District, attended on Sri Ramana when the latter suffered from a kind of malignant tumour in his upper left arm above the elbow. The Maharshi was operated four times.
A meteor hit the sky at 8-47 p.m. on the 14th April, 1950, when Sri Ramana Maharshi left his mortal coil and entered Mahasamadhi.
The all-pervading Light which shone through the embodiment of that Light in Maharshi Ramana had once again resolved itself into its original state. A lifelong proof of the Upanishads was what we called Maharshi Ramana. That proof will for ever exist, reassuring us of the Ultimate Reality.
The saint is no more in his mortal frame. But the Light of his soul is now merged in every receptive individual soul. Maharshi Ramana lives in our heart. His passing away should not be grieved for. For he had fulfilled the mission of his life. He had achieved the highest goal, Self-realisation. So there is nothing to grieve for. The death of only those that are not able to achieve the goal of life or do their duty has any reason to be mourned. The Light of the Maharshi’s soul shines today brighter than ever.
In the heart of humanity the saint shall live for ever, guiding, encouraging, goading and inspiring, so that millions and millions might seek and find the Great Truth that Ramana realised.
Too well did Sri Ramana expound the Vedanta philosophy, not through bookish knowledge, but by practical experience. His teachings imparted through all-absorbing ‘Silence’ embodied the highest ideals and the ultimate reaches in divine realisation. To ever assert one’s latent divinity, to ever strive to live in the consciousness of the immortal Self and to remain as an unaffected witness of the transitory phases of life immersed in that Supreme Silence—was the clarion call of the Maharshi. Dogmas and religious prejudices he cared not for! For he was far above those mundane limitations. With him lived orthodox Brahmin priests, Moslems and Christians and the so-called Indian untouchables. They were all alike to him.
As an architect-supreme of Truth-transcendental, Ramana Maharshi led, and now leads on, the weary travellers on earth towards the Goal through his unfathomable Silence.
To pay the most befitting homage to that saintly personality is to follow his teachings and to grow up in that ideal model.
May peace be unto all!
(~ from www.dlshq.org)
Read more details at Wikipedia, www.geocities.com, www.realization.org
Download Comics (Higher Resolution)
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Includes the following titles:
#342 (625) Battle of Wits
#400 (665) The DeadlyFeast
#264 (617) The Hidden Treasure (This one is already post as separate ACK, that's why the header of post contains 3 ACK numbers instead of 4.)
Recommend to read, you will like these.
Many many thanks to “Apoorva Chandar” for providing ACK scan.
Saturday, March 7, 2009
Special Post: Krishna (1st version of ACK # 011)
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1st and 2nd print covers provided by Arun Prasad |
Missing cover and some pages of 2nd version were used in it.
Due to initial failure, #11 (1969) "The story of Krishna" (editor: Anant Pai; Art: "Ram Wayeekar" (pen name "Manohar Chitre") and re-released as #11 (1971?) "Krishna" (now in new series as #501).
Just read what Ajnaabi says himself.
-PBC
A Preface by Ajnaabi.

Hmm.... But why ? What could be the possible cause of doing so? Isn't the artworks displayed in the Old Issue much better than this new one? At that time it occurred to me that there might be some errors in the storyline of the past issue, and hence it was redesigned. But nope, it was the same. So that checked-off my great errors-related idea.
Now the only possible cause that remained is - the cause of Redesigning was that - the pages of this Old print were lost to the world, even to India Book House themselves.
So, I checked up hither & thither in my bookshelves & lo-behold I found what I searched, “A part-damaged copy of the Real Original One”. But it was the Bengali version. The cover was almost the same as the current new one, the first two pages were part damaged, and the last two pages were missing.
That very day I decided this scanlation project from Bengali to English. I used the Inside-Front-cover as well as the last three pages from the new version to complete the storyline for New readers.
But whatever, I am happy to bring out these UNIQUE pages that's related with the History of Indian Comics....for them- whoever loves Comics like Amar Chitra Katha. Hope you ENJOYED it.
The original printings of Amar Chitra Katha No.11 (Krishna) were not in full colour—because of budgetary constraints, the panels were printed using yellow, blue and green. Subsequent Re-Designed issue, changed to full colour. Anant Pai was the editor cum script-writer. I failed in locating The Artist's name of this past version. (The Artist of the new version was Ram Waeerkar).
I would love in calling these pages and this issue of Amar Chitra Katha as ----> THE FATHER OF ALL CENT-PERCENT DESI INDIAN COMICS.
Q: Why is Amar Chitra Katha No.11 called as the First Amar Chitra Katha ?
A: Amar Chitra Katha No.01 to No.10 was only reprinting done of Disney’s comic books like Cinderella, Showwhite etc. It was only from Ack No.11 that they started designing Original Indian comic. Krishna was the First Amar Chitra Katha.
It's an Ajnaabi's presentation. All thanks & credits to him only.
Sunday, March 1, 2009
ACK-075 to 083: Bhagawat The Krishna Avatar

KRISHNA. 'Black.' This name occurs in the Rigveda, but without any relation to the great deity of later times. The earliest mention of Krishna, the son of Devaki, is in the Chhandogya Upanishad, where he appears as a scholar. There was a Rishi of the name who was a son of Viswaka. There was also a great Asura so named, who with 10,000 followers committed fearful devastation, until he was defeated and skinned by Indra. In another Vedic hymn, 50,000 Krishnas are said to have been slain, and it is added in another that his pregnant wives were slain with him that he might leave no posterity. This is supposed to have reference to the Rakshasas or the to dark-colored aborigines of India.
The modern deity Krishna is the most celebrated hero of Indian mythology, and the most popular of all the deities. He is said to be the eighth Avatara or incarnation of Vishnu, or rather a direct manifestation of Vishnu himself. This hero, around whom a vast mass of legend and fable has been gathered, probably lived in the Epic age, when the Hindus had not advanced far beyond their early settlements in the north-west.
He appears prominently in the Mahabharata, where his character is invested with a certain degree of mysticism. Additions and interpolations have raised him to divinity, and it is in the song, Bhagavad-gita, a production of comparatively late date, now held to be part of the great epic. In this work he distinctly declares himself to be the Supreme Being. He says: -- "All this universe has been created by me; all things exist in me;" and Arjuna addresses him as "the supreme universal spirit, the supreme dwelling, the eternal person, divine, prior to the gods, unborn, omnipresent."
The divine character of Krishna having thus been established, it was still further developed in the Harivansa, a later addition to the Mahabharata; and in the Puranas, especially in the Bhagavata Purana, it attained full expansion. There the story of the life of Krishna, from his earliest days, is related with minute details, and it is upon this portion of his life that the popular mind delights to dwell. The mischievous pranks of the child, the follies of the boy, and the amours of the youth, are the subject of boundless wonder and delight. All these stories, as told in the Bhagavata Purana, have been made accessible and popular by the Hindi translation known by the name Prem Sagar, 'ocean of love,' and by other versions. Much of the story of the early days of Krishna is thus of comparatively modern invention, while the incidents of his relations with the Pandava princes are among the most ancient.
Krishna was of the Yadava race, being descended from Yadu, one of the sons of Yayati. The Yadavas of old were a pastoral race, and dwelt on the river Yamuna (Jumna), in Vrindavana, on the western side, and in Gokula on the other.
In those days, Kansa, Raja of the Bhojas, having deposed his father, Ugrasena, ruled in the city of Mathura, near Vrindavana. Ugrasena had a brother named Devaka, and Bevaka had a daughter named Devaki, who married Vasudeva, son of Sura, also a descendant of Yadu.
The history of Krishna's birth, as given in the Mahabharata and followed by the Vishnu Purana, is that Vishnu plucked out two of his own hairs, one white, the other black. These two hairs entered the wombs of Rohini and Devaki; the white hair became Balarama and the black (krishna) hair (kesa) became Krishna or Kesava. His reputed father, Vasudeva, was brother of Kunti, the wife of Pandu, and so Krishna was cousin of the three elder Pandava princes.
The Mahabharata gives two summaries of his exploits, of which the following are abridgements:
"While Krishna was growing up as a high-souled boy in the tribe of cowherds, the force of his arms was rendered famous by him in the three worlds." He slew the king of the Hayas (horses), dwelling in the woods of the Yamuna. He slew the direful Danava, who bore the form of a bull. He also slew Pralambha, Naraka, Jambha, and Pitha, the great Asura, and Mura. He overthrew and slew Kansa, who was supported by Jarasandha. With the help of Balarama he defeated and destroyed Sunaman, brother of Kansa and king of the Surasenas. He carried off the daughter of the king of the Gandharas at a swayam-vara, and princes were yoked to his car. He secured the death of Jarasandha and slew Sisupala. He overthrew Saubha, the self-supporting or flying city of the Daityas, on the shore of the ocean. He conquered the Angas and Bangas, and numerous other tribes. Entering the ocean filled with marine monsters, he overcame Varuna. In Patala he slew Panchajana, and obtained the divine shell Panchajanya. With Arjuna he propitiated Agni in the Khandava forest, and obtained the fiery weapon the discus. Mounted on Garuda, he alarmed Amaravati, the city of Indra, and brought away the Parijata tree from thence.
In another passage, Arjuna rehearses some of Krishna 's exploits. He destroyed the Khoja kings in battle, and carried off Rukmini for his bride. He destroyed the Gandharas, vanquished the sons of Nagnajit, and released King Sudarsana, whom they had bound. He slew Pandya with the fragment of a door, and crushed the Kalingas in Dantakura. Through him the burnt city of Benares was restored. He killed Ekalavya, king of the Nishadas, and the demon Jambha. With the aid of Balarama he killed Sunaman, the wicked son of Ugrasena, and restored the kingdom to the latter. He conquered the flying city of Saubha and the king of the Salwas, and there he obtained the fiery weapon Sataghni. Naraka, son of the earth, had carried off the beautiful jeweled earrings of Aditi to Pragjyotisha, the impregnable castle of the Asuras. The gods, headed by Indra, were unable to prevail against Naraka, so they appointed Krishna to slay him. Accordingly he killed Muru and the Rakshasa Ogha; and finally he slew Naraka and brought back the earrings.
It further appears in different parts of the Mahabharata that Krishna, prince of Dwaraka, was present at the swayamvara of Draupadi, and gave his judgement that she had been fairly won by Arjuna.
While the Pandavas were reigning at Indra-prastha, he paid them a visit, and went out hunting with them in the Khandava forest. There he and Arjuna allied themselves with Agni, who was desirous of burning the Khandava forest, but was prevented by Indra. Agni having secured the help of Krishna and Arjuna, he gave the former the celebrated chakra (discus) Vajranabha, and the club Kaumodaki. Then Indra was defeated and Agni burnt the forest.
Arjuna afterwards visited Krishna at Dwaraka, and was received with great demonstrations of joy. Arjuna, with the connivance of Krishna, eloped with Subhadra, Krishna 's sister, much to the annoyance of Balarama, her elder brother.
When Yudhishthira was desirous of performing the Rajasuya sacrifice, Krishna told him that he must first conquer Jarasandha, king of Magadha. Jarasandha was attacked and slain, and Krishna was thus revenged upon the enemy who had forced him to leave Mathura and emigrate to Dwaraka. Krishna attended the Rajasuya sacrifice performed by Yudishthira and the Kauravas.
When Draupadi had been staked and lost, she was dragged into the public hall by Duhsasana, who tore off her clothes, but Krishna pitied her, and renewed her clothes as fast as they were torn away.
After the close of the exile of the Pandavas, Krishna was present, and took part in the council which preceded the great war, and strongly advised a peaceful settlement. Then he returned to Dwaranka. Thither Arjuna and Duryodhana followed him with the object of enlisting his services in the coming war, but he refused to take any active part because he was related to both parties. He gave them the choice of his personal attendance or of the use of his army. Arjuna, who had arrived first, and therefore had the first choice, asked for Krishna himself, and Duryodhana joyfully accepted the army. Krishna then became the charioteer of Arjuna.
After this, at the request of the Pandavas, he went in splendid state to Hastinapura as a mediator, but his efforts were unavailing, and he returned. Preparations for action were then made and the forces drawn out. On the eve of the battle, while acting as Arjuna's charioteer, he is represented as relating to Arjuna the Bhagavad-gita or divine song.
He rendered valuable services to Arjuna throughout the battle, but on two occasions he suggested unfair dealing. He prompted the lie by which Yudhishthira broke down the prowess of Drona, and he suggested the foul blow by which Bhima shattered the thigh of Duryodhana.
He afterwards went to Hastinapura with the conquerors, and he also attended their Aswamedha sacrifice. On returning to Dwaraka he issued a proclamation forbidding the use of wine. Portents and fearful signs appeared, and a general feeling of alarm spread among all in Dwaranka. Krishna gave directions that the inhabitants should go out to Prabhasa on the sea-shore and endeavor to propitiate the deity. He gave permission also that wine might be drunk for one day. A drunken brawl followed, in which his son Pradyumna was killed in his presence, and nearly all the chiefs of the Yadavas were slain. Balarama went out from the fray and died peacefully under a tree, and Krishna himself was killed unintentionally by a hunter named Jaras, who shot him with an arrow, mistaking him at a distance for a deer.
Arjuna proceeded to Dwaraka and performed the obsequies of Krishna . A few days afterwards the city was swallowed up by the sea. Five of Krishna 's widows were subsequently burnt upon a funeral pile in the plain of Kuru-kshetra.
"Among the texts of the Mahabharata," says Dr. Muir, "there are some in which Krishna is distinctly subordinated to Mahadeva (Siva), of whom he is exhibited as a worshipper, and from whom, as well as from his wife Uma, he is stated to have received a variety of boons. Even in these passages, however, a superhuman character is ascribed to Krishna."
The popular history of Krishna, especially of his childhood and youth, is given in the Puranas, and is the subject of many a story. The Bhagavata Purana is the great authority, and from that the following account is condensed:
The sage Narada had foretold to Kansa that a son of Devaki, his brother's daughter, should destroy him and overthrow his kingdom. To obviate this danger, Kansa kept his cousin Devaki confined in his own palace, and six children that she bore he caused to be put to death.
She conceived a seventh time, but the child was an incarnation of Vishnu, and was miraculously preserved by being transferred from the womb of Devaki to that of Rohini, who was Vasudeva's second wife. This child was Balarama.
Devaki again conceived, and her eighth child was born at midnight with a very dark skin, whence he was called Krishna . He had a peculiar curl of hair, called srivatsa, upon his breast. The gods interposed to preserve the life of this divinely begotten child. The guards of the palace were overpowered with sleep, and bolts and barriers were removed. Vasudeva secretly changed the infants, and carried back the daughter of Yasoda to his wife Devaki.
Kansa discovered that he had been cheated, and in his wrath he ordered that every male infant that gave signs of vigor should be put to death. Vasudeva and Devaki, being no longer dangerous, were set at liberty. Nanda, alarmed by the order for the massacre, took the young child and removed with Yasoda and with Rohin and Balarama to Gokula.
Here Krishna was brought up, and wandered about in company of his elder brother Balarama. They played many pranks and passed many practical jokes; but they exhibited such marvelous strength and such godlike powers that they soon became famous.
Kansa was continually forming schemes for the death of Krishna . The female demon Putana assumed a lovely form, and tried to kill him by suckling him, but the child sucked away her life. Another demon tried to drive a cart over him, but he dashed the cart to pieces. A demon named Trinavartta took the form of a whirlwind and flew off with him, but the child brought the demon to the ground with such violence that he died.
One day Krishna broke the vessels of milk and curds and ate the butter, which made Yasoda angry. She fastened a rope round his body, and tied him to a large bowl, but he dragged the bowl away till it caught between two trees and uprooted them. From this feat he got the name of Damodara (rope-belly).
He had a terrible conflict with the great serpent Kaliya, who lived in the Yamuna, and he compelled him to go away.
On one occasion, when the gopis or milkmaids were bathing, he took away all their clothes and climbed up a tree, and there he remained until the damsels came to him naked to recover them. He persuaded Nanda and the cowherds to give up their worship of Indra, and to worship the mountain Govardhana, which sheltered them and their cattle. Incensed at the loss of his offerings, Indra poured down a heavy rain, which would have deluged them, but Krishna lifted up the mountain Govardhana, and held it upon his finger as a shelter for seven days and seven nights, till Indra felt that he was foiled. From this feat he obtained the name of Govardhanadhara and Tungisa. As he had protected the kine, Indra expressed his satisfaction, and geve him the title of Upendra.
He was now approaching manhood, and was very handsome. The gopis were all enamoured of him, and he dispensed favours very freely. He married seven or eight of them, but his first and favourite wife was Radha. At this period of his life he is represented with flowing hair and with a flute in his hand. One of his favourite pastimes was a round dance, called Mandalanritya or Rasamandala, in which he and Radha formed the centre whilst the gopis danced round them.
But his happiness was interrupted by the machinations of Kansa, who sent formidable demons to destroy him - Arishta in the form of a bull, and Kesin in the form of a horse. These attempts having failed, Kansa sent his messenger, Akrura, to invite Krishna and Balarama and Mathura to attend some games, and he formed several plans for their destruction. They accepted the invitation, and went to Mathura. Near the city they found Kansa's washerman engaged in his calling. They threw down some of his clothes, and he addressed them insolently, upon which they killed him, and took such clothes as they liked. In his progress he me Kubja, a crooked damsel, who gave him some unguent, and he repaid her gift by making her straight. In the games he killed Chanura, the king's boxer.
Afterwards he killed Kansa himself, and replaced Ugrasena on the throne. He remained in Mathura and studied the science of arms under Sandipani. He went down to the infernal regions and brought back his six brothers, whom Kansa had killed, and these, having tasted the milk of their mother ascended to heaven.
During this period he killed a demon named Panchajana, who had attacked the son of his teacher. This demon lived in the sea in the form of a conch-shell, and Krishna afterwards used this shell, called Panchajanya, as a trumpet.
Kansa's two wives were daughters of Jarasandha, king of Magadha. This king assembled his forces and marched against Mathura to chastise Krishna, but he was defeated. He renewed his attacks eighteen times, and was as often defeated.
A new enemy then threatened Krishna, a Yavana or foreigner named Kalayavana, and Krishna had been so weakened that he knew he must succumb either to him or to his old enemy the king of Magadha, so he and all his people migrated to the coast of Guzerat, where he built and fortified the city of Dwaraka. [The Mahabharata makes no mention of this foreign king, and says that Krishna retired before the eighteenth attack of Jarasandha. The foreign king would, therefore, seem to be an invention of the Puranas for saving Krishna 's reputation.]
After his settlement at Dwaraka, Krishna carried off and married Rukmini, daughter of the Raja of Vidarbha, and the betrothed of Sisupala.
An incident now occurred which brought him two more wives. A Yadava chief named Satrajit had a beautiful gem called Syamantaka, which Krishna wished to possess. Satrajit, for the sake of security, gave the gem into the charge of his brother Prasena, and Prasena was killed in the forest by a lion, who carried off the jewel in his mouth. This lion was killed by Jambavat, the king of the bears. Satrajit suspected Krishna of taking the jewel, and he, to clear himself, went out into the forest, ascertained the manner of Prasena's death, fought with Jambavat, and recovered the jewel. Krishna then married Jambavati, the daughter of Jambavat, and Satyabhama, the daughter of Satrajit. But the number of his wives was practically unlimited, for he had 16,000 and a hundred or so besides, and he had 180,000 sons.
By Rukmini he had a son Pradyumna and a daughter Charumati. His son by Jambavati was Samba, and by Satyabhama he had 10 sons.
Indra came to visit Krishna at Dwaraka, and implored him to suppress the evil deeds of the demond Naraka. Krishna accordingly went to the city of Naraka, killed the demon Muru, who guarded the city, and then destroyed Naraka himself.
Krisha next went to pay a visit to Indra in Swarga, taking with him his wife Satyabhama. At her request he requited the hospitality shown him by carrying off the famed Parijata tree, which was produced at the churning of the ocean. The tree belonged to Sachi, wife of Indra, and she complained to her husband. Indra drew out his forces and tried to recover it, but was defeated by Krishna.
Pradyumna, son of Krishna, had a son named Aniruddha, with whom a female Daitya, Usha, daughter of Bana, fell in love. She induced a companion to carry off the young man, and Krishna, Balarama, and Pradyumna went to rescue him. Bana, with the whole Daitya host, and assisted by Siva and Skanda, the god of war, encountered them. Krishna, "with the weapon of yawning, set Siva agape," and so overpowered him. Skanda was wounded. Bana made a fierce combat with Krishna, and was severely wounded, but Krishna spared his life at the intercession of Siva, and Aniruddha was released.
There was a man named Paundraka, who was a Vasudeva, or descendant of one Vasudeva. Upon the strength of the identity of this name with that of Vasudeva, the father of Krishna, this man Paundraka assumed the insignia and title of Krishna, and he had the king of Kasi or Benares for an ally. Krishna slew Paundraka, and he hurled his flaming discus at Benares and destroyed that city.
Such are the principal incidents of the life of Krishna as given in the Harivansa, the Puranas, and the Prem Sagar.
(~ From www.mythfolklore.net)Read more about Krishna at stephen-knapp.com, Wikipedia, Encyclopedia Mythica, Kamat's Potpourri or the Urday website.
This volume have 9 full length ACK stories (total 256 pages).
- Krishna – The Darling Of Gokul - (Old #413)
- Krishna – The Subduer Of Kaliya - (Old #415)
- Krishna – The Upholder Of Govardhana - (Old #417)
- Krishna – Victory Over Kamsa - (Old #419)
- Krishna – The Lord Of Dwaraka - (Old #421)
- Krishna – The Enchanter - (Old #423)
- Krishna – The Victorious - (Old #425)
- Krishna – An Ally Of The Pandavas - (Old #427)
- Krishna – The Saviour - (Old #429)
Friday, February 13, 2009
ACK-069:Tiruppan and Kanakadasa

Saint-Poet Kanakadasa (c 1509-1609 A.D.) belongs to the tradition of Haridasa literary movement which ushered in an era of devotional literature in Karnataka. Scores and scores of Haridasa have composed songs in praise of Krishna (incarnation of Vishnu). 'Haridasa' stands for 'servant of Hari', is another epithet of god Krishna. Right from 14th century to 19th, we find several Haridasas who wrote devotional compositions which could be set to music with simple instruments like Tanpura, and Tala (cymbals). They wrote kirtans, bhajans, prayers, lullabies, festival songs, and house-hold-chore songs. Written in simple and spoken Kannada, they had universal appeal.
Purandaradasa and Kanakadasa are the foremost among Haridasas. Besides conveying dvaita (dualism) tenets, they preached kindness and equanimity in a world full of sorrows. They condemned superstitions, hollow rituals and upheld virtues of a pious life.
No biographical details of Kanakadasa are available. Tradition makes him a member of shepherd (Kuruba) community who was a chief (nayaka) of security forces under a local king. His family deity or the deity he worshipped was Adikeshava of Kaginele, presently in Haveri district. Kaginele, now a village, was a prosperous place and trading center in middle ages.
If Purandaradasa gave up trader's job and balance (takadi) for tanpura and cymbals, Kanakadasa threw away his sword when the "inner call" came. Purandaradasa is supreme or 'king' among composers. Kanakadasa is a poet among composers. He wrote about two hundred songs (kirtans, padas and mundiges or philosophical songs) besides five major works.
Kanakadasa's major works are:
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Nalacharitre (Story of Nala)
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Haribhaktisara (crux of Krishna devotion)
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Nrisimhastava (compositions in praise of Lord Narasimha)
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Ramadhanyacharite (story of ragi millet) and an epic
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Mohanatarangini (Krishna-river).
Kanakadasa rationalized bhakti (devotion) by giving worldly similes. His writing has intimate touch that identifies the reader with the poet himself. His two famous compositions in translation are given below. One condemns caste system in a refined poetic way and the other wonders, at the colorful and baffling creation of God Almighty in child-like wonder.
His Nalacharite is based on the famous love-story of Nala and Damayanti, which appears in Mahabharata. Though a great devotee of Lord Krishna, Kanakadasa gives his own interpretation. Nala who is in love with Damayanti, exercises restraint svayamvara (choosing bride/bridegroom) ceremony to win over Damayanti by allowing Indra and other gods a chance to win over her. When he loses everything in a dice-game and goes to forest, stubbornly followed by Damayanti, he deserts her in sleep, hoping that she may go back to her parents and have better life. He later drives king Rituparna to second declared svayamvara of Damayanti, to see his wife married to a suitable person and be happy! Lord Krishna appears only once casually to rescue the caravan with which the hapless Damayanti was traveling and was attacked by wild elephants.
Haribhaktisara is essence of devotion to Lord Krishna as the name indicates. A work of one hundred and ten verses with chorus line 'deva rakshisu nammananavarata', it is a prayer song, sung by Madhva men and women in Karnataka while performing everyday chores. It teaches complete surrender to God.
Nrisimhastava is a work dealing with glory of god Narasimha (half man-half lion).
Kanakadasa's Ramadhanyacharite has quite an unconventional theme. It is about a battle of words between ragi (millet) and rice, each claiming superiority. They go to god Rama for justice. With the help of sages, Rama proves the superiority of ragi over rice. Ragi becomes blessed by absorbing quality of Raghava, another epithet of Rama. It is interpreted as poverty and humility being upheld by the poet above material wealth. Even today ragi is food of the poor.
Mohanatarangini, although a kavya (poem in classical style) written with all conventional eighteen descriptions, deals with eroticism. Pleasure-based eroticism of Shri Krishna with consorts and Aniruddha-Usha form the main theme.
It excels in depicting contemporary life. The description of Shri Krishna's Dwaravati (Dwaraka) is very similar to that of Vijayanagara, under Krishnadevaraya as noticed by foreign travelers. The market place with colorful stalls with various commodities, well demarketed lanes brimming with craftsmen, clients and merchants, royal garden parties and glory of the palace etc find place in Mohanatarangini. It echoes the contemporary Portuguese travelers' accounts. A drinking bout of men and women of working class is very picturesque. We feel as if Kanakadasa is providing a running commentary on an actually happening scene. It is for such unconventional and down-to-earth descriptions as also for social awareness that the great poet-saint has become immortal.
The Kanaka's Peephole, Udupi
Kanakana Kindi (window of Kanaka) enjoys a special place at the Shri Krishna temple of Udupi. There is a legend that Kanakadasa wanted to have a 'darshan' (encounter) of the idol. He was not allowed into the shrine by orthodox Madhwas, as Kanakadasa was not a Brahmin by birth. Kanakadasa then started singing praise of Lord Krishna and was lost to the outside world in a corner outside the temple. Suddenly there was a breach in the wall, where Kanaka stood, and Lord Krishna offered full darshan bending towards poet. A small window was constructed at the breach later. The idol has still a bend!
Today that window stands as a tribute to the unique saint of Karnataka. Almost all devotees who visit Udupi Krishna temple try to have a peep at the idol, through the petty window wishing to relive the ecstasy Kanaka had at the divine 'darshan'. It is also a memorial to Kanakadasa and eclectic Hindu belief that devotion, poetry and sainthood are above caste and creed and certainty above orthodoxy.
( Information about Kanakadasa from Kamat's Potpourri)
Many many thanks to an “Anon friend” for providing ACK scan.